Wilder Alison (b. 1986)

j/e #10, 2018

Died wool and thread

53.34 x 92.71 cm / 21 x 36 1/2 in

Wilder Alison (b. 1986)

archived in the/hem bathe in tin/, 2019

Died wool and thread

80.01 x 135.89 cm / 31 1/2 x 53 1/2 in

Wilder Alison (b. 1986)

Untitled, 2019

Died wool and thread

83.82 x 139.70 cm / 33 x 55 in

Anina Major

Water Gourd, 2019

Stoneware

81.28 x 45.72 x 45.72 cm / 32 x 18 x 18 in

Anina Major

Oil Spilt, 2020

Stoneware

31.75 x 40.64 x 45.72 cm /12 1/2 x 16 x 18 in

Anina Major

Ascension, 2019

Stoneware

71.12 x 55.88 x 55.88 cm / 28 x 22 x 22 in

Judy Pfaff

Venae cavae, 2020

Melted plastic, acrylic, steel, light bulb, and electrical components

170.18 x 116.84 x 68.58 cm / 67 x 46 x 27 in

Judy Pfaff

Untitled, 2020

Oil stick and encaustic on vintage paper in artist-made frame

29.84 x 103.50 cm 11 3/4 x 40 3/4 in

Framed: 29.84 x 103.50 cm 11 3/4 x 40 3/4 in

Judy Pfaff

Untitled, 2020

Oil stick and encaustic on vintage paper in artist-made frame

35.88 x 73.82 cm / 14 1/8 x 29 1/16 in

Framed: 35.88 x 73.82 cm / 14 1/8 x 29 1/16 in

Judy Pfaff

Untitled, 2020

Honeycomb cardboard, melted plastic, pigmented expanded foam, light bulb, and electric components

149.86 x 106.68 x 58.42 cm / 59 x 42 x 23

Sarah Trigg

Cracked Orange Top Over Monroe Bisque
(from the Cast Paint Series), 2020

Reclaimed house paint and acrylic

36.20 x 24.13 x 22.86 cm / 14 1/4 x 9 1/2 x 9 in

Sarah Trigg

Split Sphere (Red, Green, Yellow)
2020


weight: 3.5 lb, 2020

Acrylic, epoxy clay, and found object

26.67 x 15.88 x 6.99 cm / 10 1/2 x 6 1/4 x 2 3/4 in

Sarah Trigg

How Molten the Rock Beneath, 2020

Pumice and acrylic mounted on aluminum

93.98 x 76.20 x 6.35 cm / 37 x 30 x 2 1/2 in

Erin Woodbrey  The Thinker (From The Carrier Bag Series), 2020  Single-use plastic containers, cork, ash, plaster, gauze, and steel wire  77.47 x 41.91 x 38.73 cm / 30 1/2 x 16 1/2 x 15 1/4 in

Erin Woodbrey

The Thinker (From The Carrier Bag Series), 2020

Single-use plastic containers, cork, ash, plaster, gauze, and steel wire

77.47 x 41.91 x 38.73 cm / 30 1/2 x 16 1/2 x 15 1/4 in

 

Erin Woodbrey  Mixed Nuts, Mayonnaise, and Bone Broth (From the Carrier Bag Series), 2020  Single-use plastic containers, ash, plaster, gauze, and steel wire  60.96 x 36.20 x 26.67 cm / 24 x 14 1/4 x 10 1/2 in

Erin Woodbrey

Mixed Nuts, Mayonnaise, and Bone Broth (From the Carrier Bag Series), 2020

Single-use plastic containers, ash, plaster, gauze, and steel wire

60.96 x 36.20 x 26.67 cm / 24 x 14 1/4 x 10 1/2 in

Erin Woodbrey  Ode (From the Carrier Bag Series), 2020  Single-use plastic and glass containers, ash, plaster, gauze, and steel wire  48.26 x 38.10 x 19.68 cm / 19 x 15 x 7 3/4 in

Erin Woodbrey

Ode (From the Carrier Bag Series), 2020

Single-use plastic and glass containers, ash, plaster, gauze, and steel wire

48.26 x 38.10 x 19.68 cm / 19 x 15 x 7 3/4 in

Press Release

(IM)MATERIALITY

WILDER ALISON, ANINA MAJOR, JUDY PFAFF, SARAH TRIGG, + ERIN WOODBREY 

August 21 - November 16, 2020
Gaa Gallery Provincetown

 

Gaa Gallery is pleased to present, (im)materiality, a group exhibition featuring Wilder Alison, Anina Major, Judy Pfaff, Sarah Trigg, and Erin Woodbrey. (im)materiality opens August 21 and will run through November 16, 2020 at Gaa Gallery.

 

(im)materiality brings together five visual artists who share the common ground of pushing the physical and conceptual boundaries of material and process. The work presented in (im)materiality embodies the coalescence of process, idea, and presence. A play on the concept of material and immaterial the title (im)materiality draws on both the concrete and tangible as well as the transient and transcendent qualities of material.

 

Engaging in a vast commentary on ideas concerning language, identity, the environment, and space, the work featured in (im)materiality ruminates on the nature of creating. Through materiality, one is present with the artist in all moments of the process: thinking, collecting, arranging, and reassembling. These cumulative actions are the matter-making threads that hold together the balance of concept, physicality, and being. Referencing painting, drawing, and sculpture, the artists engage in practices that blur disciplinary boundaries and celebrate craft and process. Here, materiality serves as a lens enabling to see an experience or a moment in time.